Toi Toi Toi

Taking a fun, light-hearted look at the arts world and the life of an artist, Toi Toi Toi is a charming, funny and relaxing show, appropriate for opera buffs and newbies alike, which seems to fly by.

The music is very well-written and fits the genre perfectly. Composer Alexander Horowitz blends original score with classic operas to great effect, and it is often difficult to recognise the changes between the two. Use of famous themes from the likes of Verdi, Rossini and, most recognisably, Mozart, is a great addition for opera buffs and will no doubt further improve the viewing experience. However it is not necessary to understand these references to enjoy and appreciate the score, as it is the lyrics, not the music, that give this show real energy.

The lyrical content of the show manages to find a great balance between the exaggerated pomp associated with the opera genre and everyday conversation. This renders the piece incredibly funny, forcing actors to ham up emotions to a ridiculous level and thus highlighting the lack of naturalism in opera acting.

The self-referential nature of the show also strikes a familiar tone. A low-budget opera about putting a low-budget opera is a novel idea indeed and in the age of austerity this really resonates with its audience. Toi Toi Toi tackles cuts to arts funding and its effects on the performer with cool confidence and a light-hearted tone, making itself heard without being overly imposing.

Both performers are in fine voice and carry the show brilliantly with very strong performances. Brian McBride is a treat in the male roles, swiftly moving into new roles with aplomb and leaving his previous character completely behind him. He also projects well and is blessed with crystal clear enunciation. Victoria Atkinson as Lizzie has a beautifully rich tone and pitches every note perfectly, but sadly her words are often lost beneath the music.

Sweet and funny, Toi Toi Toi is a must not only for opera buffs, but for anyone who has ever struggled for their art. It is a true testament to its cast and creators, and this inventive company may well be one to watch in the future.

Since you’re here…

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Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Performances

The Blurb

The economy is in tatters! What’s an Opera graduate to do in times of strife? Sing for her supper? A budget opera for the austerity age that celebrates the necessity of art – at any cost!

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