The Rules Of Inflation

This is no ordinary birthday party. As we enter to balloons and party bags and children's music we are handed cards to vote on. Each brightly coloured character urges us to vote for them. As we are in and seated, the whole thing takes a turn for the decidedly more macabre.The story quickly becomes something illicit and uncomfortable. As a clown emerges from a box, some of the characters seem pleased, others much less so. It soon becomes clear why as the clown character forces them into games and other more disturbing acts, and the set and cast become filthier and more depraved.

Though at times it's shocking, the performances had me on baited breath

Balloons Theatre Company have really thought this through. It's nothing short of fascinating to watch; even if at times in a car-crash-can't-look-away sense of the word. They create an immense feeling of tension with their acting and soundtrack. As an audience member you can't relax. Perhaps not everyone's cup of tea, but I found it rather intoxicating. This is also a cast that have an impressive commitment to deliver this piece with all the intensity it requires, pushing their own boundaries at the same time as testing the audience's.

This show is an interpretive and expressive look at our political system and the relationship between our politicians and the media. This cast hold absolutely nothing back and though at times it's shocking, the performances had me on baited breath.If you're thinking about seeing this show then simply pay attention to what it's labelled as. If 'absurdist, physical theatre' is your bag then I am confident you will enjoy it. If however you are looking for a more paint-by-numbers plot that doesn't require any great interpretation then I'd probably avoid this.

Reviews by Hannah Lucy Baker

Greenside @ Nicolson Square

Red and The Wolf

★★★
The Edinburgh Academy

Spring Awakening

★★★★
theSpace @ Surgeons Hall

The Rules Of Inflation

★★★★
Assembly Checkpoint

Confessions of a Justified Songwriter

★★★★★
Assembly Hall

9 to 5

★★★★
Sweet Grassmarket

Drink! The Musical

★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

Location

The Blurb

A Theatre N16 transfer in association with Eastlake productions. Welcome to your childhood dream, a world full of colours, celebrations, party games and… rules? You know the rules. You would never dare to break them, would you? Play the game, the stakes are high and there is no way out. **** (GrumpyGayCritic.co.uk). 'Brilliant yet highly traumatic' (AYoungerTheatre.com). 'Outstanding performances' (Everything-Theatre.co.uk). 'This is not a normal children's party' (ThePlaysTheThingUK.com).

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