The Man Who Built His House to Heaven

One-man shows are no easy thing to pull off, especially when the subject matter is like something out of Wes Anderson’s daydreams, but Keenan Hurley does just that in The Man Who Built His House to Heaven. Using nothing but a ladder, a handheld microphone and a tool box, Hurley pulls the audience into the story of Bob, a man who begins to build more floors onto his house in order to provide more space for his growing family, eventually building his house up to heaven and beyond.

Hurley’s performance is utterly captivating, a perfect balance of relaxed and engaging

Hurley’s performance is utterly captivating, a perfect balance of relaxed and engaging. He is a natural on the stage. He plays various roles throughout and each one is equally clear and believable. Some (like the neighbour with ‘the voice’) are utterly hilarious but none appear farcical which, again, showcases Hurley’s talent and control as an actor.

Patrick Swailes Caldwell’s direction does nothing but aid this talent and the way he uses basic staging and sound to such great effect is superb. The piece is genius in its simplicity. Despite the occasional moment towards the end where the focus seemed blurred, Caldwell does exceedingly well to not only tell the story, but also engage the audience completely and allow them to dive into the deeper meaning of the piece. Overall, it’s an incredibly well-crafted show. Both men make excellent use of the space and resources they have and are able to create some truly remarkable moments of theatre out of basically nothing. By not being over-ambitious, their piece seems daring and refreshing. It is a really wonderful thing to watch.

Reviews by Hayley Sophie Scott

Gilded Balloon Teviot

A Plague of Idiots

★★★★
Greenside @ Nicolson Square

The Silence at the Song's End

★★★★★
Sweet Grassmarket

Every Day I Wake Up Hopeful

★★★★
Pleasance Courtyard

Paul Merton's Impro Chums

★★★★
theSpace on the Mile

Dreaming of Leaves

★★★★
Assembly George Square Studios

Baby Wants Candy: The Completely Improvised Full Band Musical

★★★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

A man builds additions onto his home until it becomes a tower that hosts humanity. He's got 100 kids, rubs elbows with God, and won't look down. Praise be to Bob. Written and performed by Keenan Hurley. Directed by Emily Mendelsohn and Patrick Swailes Caldwell.

Most Popular See More

Matilda the Musical

From £24.00

More Info

Find Tickets

The Lion King

From £35.00

More Info

Find Tickets

Frozen the Musical

From £36.00

More Info

Find Tickets

The Book of Mormon

From £24.00

More Info

Find Tickets

Mamma Mia!

From £15.00

More Info

Find Tickets

Back to the Future - The Musical

From £24.00

More Info

Find Tickets