Phaedra / Minotaur

With Phaedra/Minotaur, director Deborah Warner and Choreographer Kim Brandstrup present a couple of easily digestible slices of re-interpreted Greek mythology. They’re stripped back and impassioned, though not always the most satisfying.

Stripped back and impassioned, though not always the most satisfying

It all kicks off with a performance of Benjamin Britten’s Phaedra. On a sparsely populated stage of black and white, Richard Etherington takes to the keys in a paired down rendition of the piece while Christine Rice offers a rather more fulsome vocal delivery of the cantata. As she tells the story of the moment Phaedra tragically falls for Hippolytus, the son of her husband. While the quality of her singing is excellent, the delivery feels relentlessly overwrought.

In the second part of the performance, dance replaces music to carry the story of the Minotaur, or rather Ariadne’s betrayal when she saves Theseus from the mythical creature. This part of the performance is stronger, delivering an emotionally charged ballet choreographed by Brandstrup. It's danced by Jonathan Goddard, Tommy Franzen, and Isabel Lubach, whose ever-shifting, sensuous movements, accented by Eilon Morris' intriguing score, cohere well with the minimalistic design.

Passages where Goddard and Lubach’s fluid courtship elegantly play over the stage are very well conceived and delivered, but the highlight comes later when Franzen descends the climbing hold-peppered background wall with no shortage of grace. The dancer is seemingly effortless as he moves and hangs off the wall, enacting the emotional performance while imbuing the emotionality of the piece with some genuine spectacle.

The staging is bare but effective, the storytelling is thematic rather than narrative, and the quality of performance is generally very good throughout the production. However, Phaedra/Minotaur remains a little unbalanced across the two pieces and if some of the complexity delivered in the latter half could be infused into the earlier section then there could have been something very special here.

Visit Show Website

Reviews by Alec Martin

The Lyceum

Life is a Dream

★★★★
Church Hill Theatre

Bluebeard's Castle

★★★★
The Lyceum

Phaedra / Minotaur

★★★
Church Hill Theatre

Dimanche

★★★★
Greenside @ Nicolson Square

Peer Gynt: A Jazz Revival

★★
Pleasance Courtyard

Nabil Abdulrashid: The Purple Pill

★★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

A sensational double bill pairing Benjamin Britten’s final vocal work, the powerful cantata Phaedra, with the thrilling new dance piece Minotaur.

From opera and theatre director Deborah Warner and choreographer Kim Brandstrup comes an exciting new production inspired by Greek mythology. First, Benjamin Britten’s cantata tells the story of Phaedra and her all-consuming lust for her stepson, Hippolytus. Leading mezzo soprano Christine Rice reprises her Olivier Award-nominated performance accompanied by acclaimed pianist Richard Hetherington. The scalding power of Britten’s score pushes Phaedra towards her doom in an intense and thrilling drama.

In Minotaur, we meet Ariadne (Phaedra’s sister), her lover Theseus and her half brother–the Minotaur himself. Through Brandstrup’s moving choreography, we follow the characters’ conflict, lust and pain through the depths of the labyrinth.

A touch tour for blind or partially sighted audience members is available before the 3pm performance on 20 August. Find out more.

Supported by

Geoff and Mary Ball

Phaedra

Benjamin Britten Composer
Deborah Warner Director
Antony McDonald
Set and Costume Designer
Adam Silverman Lighting Designer

Christine Rice Phaedra
Richard Hetherington
Musical Director and Piano

Minotaur

Kim Brandstrup Choreographer
Antony McDonald Set and Costume Designer
Jean Kalman Lighting Designer
Eilon Morris
Composer, Sound Designer and Percussionist

Tommy Franzen, Jonathan Goddard, Isabel Lubach Dancers

Produced by Ustinov Studio, Theatre Royal Bath by arrangement with the Royal Opera House.

Most Popular See More

Tina - The Tina Turner Musical

From £12.00

More Info

Find Tickets

The Phantom of the Opera

From £30.00

More Info

Find Tickets

Wicked

From £25.00

More Info

Find Tickets

The Book of Mormon

From £24.00

More Info

Find Tickets

Moulin Rouge! The Musical

From £30.00

More Info

Find Tickets

The Lion King

From £35.00

More Info

Find Tickets