Lewis Schaffer: You Are Beautiful

Early on, Schaffer decided that the show wasn’t going so well. And shortly after that, he appeared to give up. Throughout, there were occasional glimpses of the show he was ostensibly meant to be performing; I suppose it was just bad luck that he decided not to bother.

He wants to perform shit shows, he insisted; that’s where he’s most comfortable.

Instead, I was treated to an utterly tedious, rambling performance. Over the course of an interminable hour, Schaffer — with a conspiracy theorist’s penchant for grand, bland assertions — held court on the invalidity of modern physics, the error of wearing glasses and the stupidity of Einstein, Hawking, and Woody Allen. There’s nothing perceptive about these meanderings; nothing funny either.

As he prattles, Schaffer rejects the traditional performer-audience divide to cultivate an uncomfortably intense relationship with the crowd. He spurned the stage entirely, preferring to wander up and down the aisle between the seats, or to perch with one knee on a seat in the unoccupied front row; and almost every line of the show was delivered as he looked deeply into someone’s eyes. At one point he decided to “take a break” and sat amongst the audience for a while. The line between performer and audience was so blurred, in fact, that it was an audience member’s wit that won the biggest laughs of the night, not Schaffer’s.

And sure, maybe it’s more opaque performance art than standup comedy. It’s obviously meant to be aggravating, challenging, and excitingly unconventional. But for most of the show I just felt nothing — not anger, not sorrow, not pleasure, and certainly not (God forbid!) mirth. All I felt was a persistent sense of boredom, coupled with a niggling certainty that I could better spend my time doing absolutely anything else.

When the laughter finally came — the show picked up a little in the final ten minutes — it was too little too late. I understand that Schaffer’s not really going for ‘comedy’, as such — that much is obvious. But in the absence of much else, the lack of many real laughs was sorely felt. Schaffer (more than once) bemoaned the fact that this was the worst show he’s done. It’s possibly the worst I’ve seen.

I really don’t know what happened to Schaffer. Coming off the back of a widely acclaimed show at last year’s Fringe, Schaffer is not enamoured of this taste of success. He wants to perform shit shows, he insisted; that’s where he’s most comfortable. I suppose he’ll be pretty happy with how this one went then.

Reviews by Jamie P Robson

Pleasance Dome

Often Onstage

★★★
Underbelly, Cowgate

Zach & Viggo: Thunderflop

★★★★
Pleasance Courtyard

Omid Djalili: Schmuck for a Night

★★★
Assembly Roxy

Chopping Chillies

★★★★
C venues - C nova

Communicate

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

The same show as last year – but what do you care? You never saw it. The New York comic takes the audience on an exhilarating journey with a hilarious, uplifting and altogether surprising conclusion. 'The strangest finale I could have possibly imagined' according to one reviewer. 'Amazing and brilliant' ***** (Scotsman). 'Genius' (Stewart Lee). 'Genuinely liberating' (FringeGuru.com).

Most Popular See More

The Mousetrap

From £30.00

More Info

Find Tickets

The Play That Goes Wrong

From £27.00

More Info

Find Tickets

Moulin Rouge! The Musical

From £30.00

More Info

Find Tickets

Frozen the Musical

From £36.00

More Info

Find Tickets

The Lion King

From £35.00

More Info

Find Tickets

Wicked

From £25.00

More Info

Find Tickets