A Donkey and a Parrot

Sarah Hamilton relates a story drawn from the annals of her family history. This original solo piece uses quirky and inventive staging, rhythmic language and multiple characters to stage the family myth of the Protestant Roussel family escaping from Huguenot France.

The staging centres around a barrel on which Hamilton wriggles and writhes as she enacts the various characters, the family who must flee France, the dragoons who chase them, the crooked boatman with whom they escape, the Donkey that carries them, the Parrot they meet in England, and everyone and everything else that forms the swashbuckling adventure. The barrel is the true star of the show, and over the course of the action it reveals many secret tricks and miniature fabric finger puppets play upon it as a stage.

The storytelling is very poetic, with a great deal of repetition: the words ‘pretty’, ‘crooked’, ‘lost’ coming up again and again; and sequences and phrases echoed and re-echoed. This effect is overused and becomes tiresome. Sometimes the determinedly romantic qualities of the language (I am reminded of myself as a sixteen year old girl) come between performer and audience, and I find myself wishing that more of the story was Hamilton addressing us in her own voice, as these moments feel fresh and fun.

Hamilton is an engaging performer with a wide and appealing smile. She shifts between narration, playing characters (sixteen of them, including the titular donkey and parrot) and moments of direct address. It is in this guise I find her most likeable, and her good-humoured asides about the adjustments she has made to the familial myth combat the earnestness of some of the narrative sequences. Various characters, notably the young French sons, are drawn in charming and tender detail; others, such as the donkey and parrot themselves, are in broader strokes that don’t bear up to repeated appearances.

In essence, this is an exciting story told with a great deal of heart by an engaging performer, and will be of interest to those who like imaginative staging practices, and tales of love, loss and adventure.

Reviews by David Levesley

Tissue

★★

Riot Squat

★★★★

Assassins

★★★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

The Blurb

An epic tale of escape and survival passed down in Sarah's family for over 300 years. One woman plays 16 characters. 'Jaw-dropping theatre ... captivating' ***** (Adelaide Magazine). 'Quirky, witty, and charismatic' **** (FringeReview.co.uk).

Most Popular See More

Moulin Rouge! The Musical

From £30.00

More Info

Find Tickets

Back to the Future - The Musical

From £24.00

More Info

Find Tickets

The Lion King

From £35.00

More Info

Find Tickets

Wicked

From £25.00

More Info

Find Tickets

SIX

From £39.00

More Info

Find Tickets

Tina - The Tina Turner Musical

From £12.00

More Info

Find Tickets