The Lou Conran Three Minute Interview

Lou Conran has never really been taken seriously. As the Queen of self-sabotage, she’s lived her life mostly through incident rather than intention. Martin Walker finds out more about her work in progress Edinburgh Fringe show, Subject Matter.

I recently had to deal with a woman who collapsed, her face planted down the side of the stage whilst I was MCing and bringing on the headliner. She didn’t move and I thought she was dead. So I just carried on...

“This year I am attempting to do my first solo show. It’s a work in progress to see if I am

“a) funny

“b) can sustain a 45/50 min show without going off on a tangent - this is likely

“c) If I do go off on a tangent, then it’ll test me to see if I can work out how to get back to what I was talking about seamlessly without veering off on something else - also likely

“This is a collection of stories, about nothing in particular, hence the title Subject Matter, and is also an experiment to see if my usual self sabotaging tactics can be held at bay and I can get through the show successfully with a start and an end. The middle will take care of itself.”

Why did you choose to perform as part of Laughing Horse?

“I like the fact that Laughing Horse offers you the choice of a good venue, with the support and help behind it. It’s is a good platform for people that can’t necessarily afford the big bucks. The ethos behind LH works for me.”

Why did you get into performing comedy and how did you get started?

“I trained as an actress when I was young, and got told off for not taking Shakespeare seriously. I had a meeting with a production company about an idea I was working on in the Circle Club in Manchester, years later, and a comedy night just evolved around us, while we sat there trying to work. I saw it as a sign. That, and I had a load of beer and thought I could do better than some of the people that were on. I couldn’t. I was shitfaced. But it made me want to have a go.”

Tell us your best, worst experiences as a comedian.

“I once got boo’d off in Blackburn as I walked onto the stage.

“I once vomited in my own mouth - it would have been weird if it was someone else’s - whilst on stage at the Stand in Glasgow, I sort of ‘came round’ in the middle of the gig and realised where I was and what I was doing. Panicked. Vom’d in my mouth, swallowed it, then carried on.

“And I also recently had to deal with a woman who collapsed, and face planted down the side of the stage whilst I was MCing and bringing on the headliner. She didn’t move and I thought she was dead. So I just carried on, she woke up a few minutes later and told me to carry on, which was nice of her.”

If you were curating a stand up show for television, who would be your guests?

“I would have Dawn French, I saw her solo show recently and although it wasn’t stand up stand up, I would still have her just cos, I’d also have Harriet Dyer cos she’s brilliant, Kiri Pritchard McClean cos she’s also brilliant and Tony Law because his shows every year blow my mind.”

Broadway Baby Listing and Edinburgh Fringe Box Office: http://www.broadwaybaby.com/shows/lou-conran-subject-matter/699473

Website: www.louconran.com

Twitter: @louconran

Podcast: Comedy Review https://itunes.apple.com/gb/podcast/comedy-review/id812201403?mt=2

Photograph by Andy Hollingworth Archive puffin.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this article has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now